The British Journal of Psychiatry (2006) 188: 301-a14. doi: 10.1192/bjp.188.4.301-a14
© 2006 The Royal College of Psychiatrists
Psychiatry in pictures
ALLAN BEVERIDGE
Do you have an image, preferably accompanied by 100 to 200 words of
explanatory text, that you think would be suitable for Psychiatry in Pictures?
Submissions are very welcome and should be sent direct to Dr Allan Beveridge,
Queen Margaret Hospital, Whitefield Road, Dunfermline, Fife KY12 0SU, UK.
This is the last plate in the series (the first was featured in the March
issue of the Journal). The lengthy caption details the family
misfortunes that have led to the daughters suicide. The picture is a
dramatic one and is considered by many to be one of Cruikshanks finest
images. From this series and its predecessor, Cruikshanks philosophy is
clear. He advocated total abstinence as he felt that any exposure to alcohol
could ultimately lead to social disgrace and tragedy. His friend Charles
Dickens disagreed and held that alcoholism grew out of misery and poverty
rather than being the cause of it. Dickens advocated moderation in drinking,
rather than complete abstinence. The two friends were to fall out over their
conflicting views on drinking. Cruikshank continued to campaign for abstinence
and went on to produce a vast oil painting entitled The Worship of
Bacchus, to be featured in the May issue of the Journal. Thanks
to Dr Bruce Ritson.

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The Drunkards Children. A Sequel to The Bottle, Plate VIII. The
maniac father and the convict brother are gone the poor girl,
homeless, friendless, deserted, destitute and gin-mad, commits self
murder (1848). George Cruikshank (17921878)
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