The British Journal of Psychiatry (2006) 188: 401-a18. doi: 10.1192/bjp.188.5.401-a18
© 2006 The Royal College of Psychiatrists
Psychiatry in pictures
ALLAN BEVERIDGE
Do you have an image, preferably accompanied by 100 to 200 words of
explanatory text, that you think would be suitable for Psychiatry in Pictures?
Submissions are very welcome and should be sent direct to Dr Allan Beveridge,
Queen Margaret Hospital, Whitefield Road, Dunfermline, Fife KY12 0SU, UK.
In this huge canvas, which has been hailed as an eccentric masterpiece of
Victorian art, George Cruikshank summed up his passionately held beliefs about
the social ills caused by heavy drinking. He aimed to convert his audience to
total abstinence. The vast array of scenes was designed to illustrate the
multiple and disastrous consequences of partaking in alcohol. As Upstone has
written: The painting is a dense network of vignettes, presided over by
the statue of Bacchus, the Roman God of wine and drunken revelry... At
Bacchuss foot, brewers and distillers dispense drink to the crowds,
who, losing control, riot madly... Ranged along the horizon are all the
institutions to which alcohol provides inmates: the ragged school, workhouse,
prison, asylum, Magdalen Hospital for prostitutes, and the cemetery
(Robert Upstone (2001) George Cruikshanks The Worship of
Bacchus. London: Tate Publishing). Cruikshank presented a nightmare
vision of a society reduced to chaos by alcoholic excess. He dismissed genetic
theories as postulated by Francis Galton and held that individuals had the
potential to change their behaviour. Curiously, after he died, legal papers
revealed that Cruikshanks estate included a collection of wine, which
raises the possibility that, despite all his temperance work, he may have been
a secret drinker. This image concludes the series of Cruikshanks work
presented in the Journal since the January 2006 issue. Thanks to Tate
Britain for permission to reproduce this image, and to Dr Bruce
Ritson.