The British Journal of Psychiatry (2006) 189: 295-a14-295. doi: 10.1192/bjp.189.4.A14
© 2006 The Royal College of Psychiatrists
Psychiatry in pictures
ALLAN BEVERIDGE
Do you have an image, preferably accompanied by 100 to 200 words of
explanatory text, that you think would be suitable for Psychiatry in Pictures?
Submissions are very welcome and should be sent direct to Dr Allan Beveridge,
Queen Margaret Hospital, Whitefield Road, Dunfermline, Fife KY12 0SU, UK.
Francisco de Goya lived in a turbulent period of Spanish history: the
infamous Inquisition was still in operation, while Enlightenment ideas were
beginning to permeate Spain. Elsewhere, the American and French Revolutions
were raging. Goyas career evolved dramatically from its early stages,
when he made tapestries for the court, to the shocking dark
paintings of his later years. There are several explanations for the
change, one being Goyas mysterious illness, about which there has been
much speculation and which left him weakened, deaf and melancholic. He was
also affected by the unfolding military conflict in his country, which he
depicted in the Disasters of
War.
The featured image belongs to Los Caprichos, a merciless
commentary on social, political and religious hypocrisy. When Goya observed
that Imagination, deserted by reason, begets impossible monsters.
United with reason, she is the mother of all arts, and the source of their
wonders, he appears to have been influenced by the work of Joseph
Addison, which was being translated into Spanish during this period. In his
essay Pleasures of Imagination Addison stated that when
the brain is hurt by an accident, or the mind disordered by dreams or
sickness, the fancy is overrun with wild, dismal ideas and terrified with a
thousand hideous monsters of its own framing.